Master in Gallery Management & Exhibits Specialization - MGES


Barbara Sibley


Barbara Sibley
Barbara Sibley

Barbara Sibley

"It is an honor and exciting to continue the commitment made by Gus and Loretta Grosland to further the arts with the development of this new MGES Masters program."
Ruthann Cranford


Ruthann Cranford
Ruthann Cranford

Ruthann Cranford

"With the skills I will gain through this program, I hope to work to make the arts and history accessible to everyone."
Jill Fahey


Jill Fahey
Jill Fahey

Jill Fahey

"I enjoy working with local artists, the faculty, and the students, and seeing their work come to life on the walls of the gallery."
Torrie Nickel


Torrie Nickel
Torrie Nickel

Torrie Nickel

"I hope I will rise up in the world as a respected leader and protector of the art world."



Faculty & Staff


Tim Brown headshot
Instructor in MGES
M.F.A., University of California at Santa Barbara
Office Location:
Julia Courtney headshot
MGES Instructor, Tufts University Instructor
M.A., Harvard University, M.Ed., Lesley University
Office Location:
Beth Gersh-Nešić headshot
MGES Instructor; SUNY Purchase College Instructor
B.A., SUNY Binghamton, M.A., SUNY Binghamton, Ph.D., City University of New York
Office Location:
David M. Hyde headshot
Lecturer in Anthropology, MGES Instructor
B.A., University of Texas at Austin, M.A., Washington State University, Ph.D., University of Texas at Austin
Phone: 970.943.2222
Office Location: Hurst Hall 031A
Kerry Mason headshot
MGES Consultant and Internship Supervisor; Art Historian and Consultant; Instructor in Canadian and Northwest Coast Art, University of Victoria, Victoria College of Art
B.A., French Certificate, University of Victoria, M.A., University of Victoria
Office Location:
Jarrett  Mellenbruch headshot
MGES Instructor
Office Location:
Patricia Miranda headshot
MGES Instructor; New Hampshire Institute of Art, Instructor
B.F.A., SUNY Purchase College, M.F.A., Vermont College of Fine Art
Office Location:
Heather Orr headshot
Professor of Art - Art History; Administrative Director Master in Gallery Management and Exhibits Specialization; Colorado State Representative, Association of Academic Museums and Galleries
B.A., M.A., University of Victoria, Ph.D., University of Texas-Austin
Phone: 970.943.3031
Office Location: Quigley Hall 231
Jeffrey Taylor, Ph.D., AAA headshot
MGES Grosland Director
B.A., Oberlin College, Literature and Government, 1990, M.A., Central European University, History, Budapest, Hungary, 1995, History, Ph.D., Central European University, Comparative History, Budapest, 2011, Certified Appraiser of Impressionism and Modern Art, Appraisers Association of America
Phone: 970.943.2285
Office Location: Quigley Hall 230


FOR REQUIRED COURSES AND DEGREE PLANS, VISIT THE OFFICIAL UNIVERSITY CATALOG. This is a sample of courses offered by Western Colorado University. To ensure the courses you need are offered during the current semester, please visit the university course search.


Scheduled just prior to Fall semester start date, this on-campus residency provides an introduction to and fundamentals for the entire program of study, and initiates network development. This intensive course includes a one-day program orientation, practicum instruction in on-site gallery and studio classroom settings, field trips, and workshops with arts professionals. Prerequisite: acceptance into the MGES graduate program.

 MGES 601 - GALLERY PRINCIPLES I (3 credits)

Professional careers in the contemporary gallery world require a number of practical skills. This course addresses those demands by building upon fundamentals covered in the summer practicum, with in-depth practical explorations of design, installation, preparatorship and the management of the gallery space and contemporary art exhibits. Prerequisite: MGES 600.


Professional careers in gallery administration are increasingly complex and demanding. A key aspect of building and growing successful art galleries or museums is professional relationships. This course principally focuses on professional relationships and relationship building in the contemporary art world: artists, patrons, collectors, diverse artists, audiences, and stake-holders. Prerequisite: MGES 601.


Considerable planning, entrepreneurship, and bureaucratic skill are required in the building and development of successful for-profit or non-profit art galleries. This course addresses entrepreneurial approaches and business models, mission relevance, recruitment, governance, development, procurement, staffing, budget and finances, for-profit and not-for-profit business registration, and compliance with multiple policies and laws. Prerequisite: MGES 600.


Gallery administrators must be adept in all aspects of management, including marketing and promotion and leading and managing staff and volunteers, to grow successful for-profit and not-for-profit galleries. Students in this class learn how to gain market share through innovations in gallery marketing, and managerial skills enabling them to effectively manage human resources, in the art gallery and museum sector. Prerequisite: MGES 612.


This course examines curatorial scholarship and practices that underpin collections development, research and analysis, and the exhibition process, and relates those to the evolving roles of galleries and museums in contemporary society. Subjects covered in the class include collections development, object-based research, exhibition development and analysis, and curatorial approaches to tangible and intangible heritage. Prerequisite: MGES 600.


This course explores the roles and responsibilities of contemporary curators as investigators, negotiators, and mediators in gallery and museum environments. Students engage in dialogue and debate about ethical questions relating to acquisitions, access, ownership, copyright, knowledge systems, exhibition themes, new digital technologies, international collaborations and partnerships, and the integration of new scholarship and ideas with traditional curatorial skills.

 MGES 631 - CURATING THE PAST (3 credits)

Archaeological research relies upon sound curatorial practice; curatorship is often the only tangible evidence of cultural heritage for some peoples and most collections are in the public trust. This class explores those responsibilities through engaging with archaeological and cultural materials curation: technical information, laws and regulations, case studies, archaeological or anthropological exhibition process, integration of theory and practice. Prerequisite: MGES 600.

Western’s Master in Gallery Management & Exhibits Specialization (MGES) prepares you for a career in managing, collecting and selling art, as well as designing, installing and curating exhibits.


MGES is a fully-accredited, professional terminal master’s degree focused on preparing you for life in the art business by building skills needed for success in the gallery and museum sectors. The program provides advanced level training in visual arts administration and management, designed for careers in art galleries, museums, auctions, art fairs, curatorship and collections management. 

The Program

We offer a flexible, “hybrid” low-residency program. MGES consists of online courses you can complete from anywhere in the world, combined with a two-week summer practicum on Western’s beautiful campus and an arranged internship at an art gallery or museum of your choice. 

You can progress through the program at a customized rate and intensity that fit your life and work commitments. If you enroll as a full-time student, you can complete the degree in just 15 months. If you choose to undertake the studies parttime, you can complete in two to four years.

MGES is offered at a competitive state-university tuition, with scholarships and financial aid available. International students may apply for visas.


MGES graduates program will be able to:

  • Integrate previous academic studies, experience and interests with the education and professional training of this degree program.
  • Effectively support the demands of art and gallery management in both the artistic and the business dimensions of the field, in for- and nonprofit sectors.
  • Be fully proficient as exhibits specialists for art and related exhibits, including a wide variety of contemporary, historic and antique art objects. 
  • Plan, develop and execute gallery and exhibit design and layout, synthesizing and implementing knowledge of aesthetic and design principles, theory, best practices, design tools, technology and relevant federal and state laws and regulations.
  • Continue to develop knowledge and experience in areas of interest beyond graduation, implementing the program readings, tools and educational materials. 


  • A BA or BFA degree is required before attending the first semester. 
  • Evidence of a program of study (major, minor or extensive course work – nine or more courses) must be demonstrated in one of the following or related disciplines:
    • Studio Art
    • Art History
    • Marketing/Business/Entrepreneurship
    • Nonprofit Leadership
    • Culture Studies
    • History
    • Anthropology/Archeology
    • Gallery Management or Museum Studies

Admissions Criteria

A holistic package balancing academic excellence with experience in arts leadership is encouraged. Admissions packages include:

  1. Transcripts showing a recommended 3.0 undergraduate GPA or above in relevant courses.
  2. A personal statement (800-1000 words) describing your experience and career interests in the art, gallery, museum and/or cultural heritage sector, and commitment to the arts or cultural heritage.
  3. A writing sample of 8-10 pages.
  4. Two letters of recommendation from professors or supervisors in related fields.

Accepting applications now.  Application fee waived until December 15, 2018.

International students should apply by April 1, 2019 in order to begin Visa applications.                

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