10/28 Choir
Program
| Tanzen und Springen | Hans Leo Hassler (1564-1612) |
| Dancing and leaping, singing and ringing, fa la la… | |
| Lutes and fiddles should also not be silent; | |
| To make music and celebrate is all that’s on my mind. fa la la… | |
| Beautiful maidens in the green meadows, fa la la… | |
| To stroll with them and to converse, | |
| to jest in friendly ways delights my heart more than silver and gold. fa la la… | |
| Mille Regretz | Josquin Desprez (ca. 1450-1521) |
| A thousand regrets at leaving you and putting your lovely face at a distance. | |
| I suffer such deep sorrow and grievous pain that I will soon be seen to end my days. | |
| Calling My Children Home | Doyle Lawson, Charles Waller, Robert Yates |
| arr. Joseph Jennings | |
| Sicut Cervus | G. P. da Palestrina (ca.1525-1594) |
| As the hart years for the water springs; so longs my soul for thee, O God! | |
| It Don’t Mean A Thing | Duke Ellington arr. Jay Althouse |
| It’s Ragtime! | Scott Joplin/Irving Berlin arr. John Leavitt |
Ashtyn Rossman, drums; Kendra Sheldon, bass; Becky Weidman-Winter, piano
WSC Chamber Singers
| El Grillo | Josquin Desprez (ca. 1450-1521) |
| The cricket is a good singer, he can sing very long, he sings all the time. | |
| But he isn't like the other birds. If they've sung a little bit they go | |
| somewhere else. The cricket remains where he is. When the heat is very fierce | |
| then he sings only for love. | |
| Ye Banks and Braes | Old Scottish Air arr. Stuart Calvert |
| Andenken | Felix Mendelssohn (1809-1847) |
| The trees become green everywhere, the flowers bloom again, and, again, | |
| the nightingale sings its old songs. Oh, happy is the one who still sings | |
| and laugh, who also thinks of spring. | |
| All that lies in slumber awakes to new life, and every blossom on each | |
| branch lifts itself to the sun.What is blossom and birdsong to me when | |
| I miss you, miss you everywhere. | |
| O dear heart, and should I never see you again? Therefore spring must | |
| pass without blossom and song. What should the spring be for me? | |
| What is spring without you? | |
| Keep Your Lamps! | Spiritual arr. Andre Thomas |
Stephen Walker, congas
| A la volette | Stephen Chatman (b. 1950) |
| Near the fountain a bird sang. A bird on the wing, a bird sang. | |
| I ran to hear it, it made me cry. It made, on the wing, it made me cry. | |
| The little ones left, they knew how to fly. They knew, on the wing, | |
| they knew how to fly. The avid fox ate all of them. All of them, | |
| on the wing, ate all of them. | |
| And their poor mother cried for them all. All of them, on the wing, | |
| cried for them all. | |
| Near the fountain a bird sang. A bird on the wing, a bird sang. | |
| Kuroda Bushi | Japanese Folk Song arr. Francis Baxter |
| Sake, drink sake, drink without a pause, without fear. But if ever you | |
| drink, you drink to win the finest spear. Bold and strong, you drink your | |
| sake. You conquer if you try. Claim the spear, O gallant warrior, | |
| true Kuroda samurai! | |
| Is it the wind that sings o’er the mountain? Is it the wind among the | |
| pines, or faint sounds of Koto sighing like wind among the pines? | |
| Halting his steed the rider listens, then hears the song again. | |
| Ah, the heart cry for her beloved! Distant murmurs of love. | |
Jade Rudolph and Dakota Brown, soloists
| Down By the Salley Gardens | Irish Folk Tune arr. Ray Henderson |
Jessica Bicknell and Lyndsie Conklin, soloists
| E Oru O | Nigerian Folk Song adapted by Rosephanye Powell |
| An important chief who has his palace near the market place is about to appear. | |
Ashtyn Rossman, Jade Rudolph, Kali Sheldon, Kendra Sheldon, Stephen Walker, percussion
