Graduate Courses in Creative Writing
CRWR 520 – Summer Intensive I 3 credits
Focuses on writing workshops that teach students how to research, edit, and hone their work, and submit it for publication. Familiarizes students with aesthetics of different literary magazines, and the aesthetic of the book the course prepares for production. Teaches introductory skills and orientation for online work for the subsequent year of study. Graded Satisfactory/Unsatisfactory only. Prerequisite: Acceptance into the publishing program.
CRWR 521 – Editorial Practicum I 3 credits
Involves students in an acquisitions editorial staff that reads and evaluates submissions for publication in the book project for the year. Students review submissions ahead of time and e-mail comments to acquisitions editor on whether work should be considered by entire board, then participate in online discussions every other week. Students also meet online three times to discuss materials from learning modules, and how that information relates to book project and their duties as editors and publishers. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 520. Co-requisites: CRWR 522, CRWR 523, CRWR 524.
CRWR 522 – Editorial Skills 1 credit
Focuses on these topics: identifying potential authors and conducting author outreach; market analysis; working with agents and book packagers; negotiating the author contract; and working in editorial review groups – who participates and why. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 520. Co-requisites: CRWR 521, CRWR 523, CRWR 524.
CRWR 523 – Acquisitions 1 credit
Teaches these topics: what an editor does (and does not do); what "house style" is and how books conform; steps from developmental edit to copyedit to proofread; and appropriate interaction with authors. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 520. Co-requisites: CRWR 521, CRWR 522, CRWR 524.
CRWR 524 – Business Models for Press Houses 1 credit
Familiarizes students with traditional publishing house models such as nonprofit, for-profit, academic press, and trade press, as well as the emerging online electronic delivery models of publishing. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 520. Co-requisites: CRWR 521, CRWR 522, CRWR 523.
CRWR 525 – Editorial Practicum II 3 credits
Involves students in an acquisitions editorial staff that will select, proof, and ready submissions for publication of the book project for the year. Students participate in online discussions every week, meeting as an editorial board to select submissions for publication in the book project. Students finalize selections, proof work, and ready book for publication. The class also meets online three times to discuss materials from learning modules, and how that information relates to book project and their duties as editors and publishers. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 521. Co-requisites: CRWR 526, CRWR 527, CRWR 528.
CRWR 526 – Design and Layout 1 credit
Provides students with an understanding of such design and layout consideration as typography, use of graphics, cover design, interior book layout, creation of an index, interaction with printers, as well as alternative considerations for electronic and e-reader delivery. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 521. Co-requisites: CRWR 525, CRWR 527, CRWR 528.
CRWR 527 – Marketing and Sales 1 credit
Familiarizes student with the topics of 1) the role of the author in marketing and selling a book; 2) the marketing done prior to book publication and what happens after release; 3) effective public relations; 4) sales model-direct, bookstores/retail, hybrid distributions; and electronic promotion, marketing, and delivery; 5) selling books in-house by team, by distribution, and by commissioned reps; 6) tracking and evaluating sales. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 521. Co-requisites: CRWR 525, CRWR 526, CRWR 528.
CRWR 528 – Back Office and Fulfillment 1 credit
Covers accounting and inventory issues, customer service, warehousing and shipping of physical book inventory, as well as electronic delivery systems. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 521. Co-requisites: CRWR 525, CRWR 526, CRWR 527.
CRWR 530 – Summer Intensive II 3 credits
Focuses on final preparation of the product as well as formulating and launching a marketing plan for distribution. Graded Satisfactory/Unsatisfactory only. Prerequisite: CRWR 525.
CRWR 597 – Special Topics 1-3 credits
Studies of a particular topic of interest to students of the Publishing Certificate program to be announced each time the course is offered. Graded Satisfactory/Unsatisfactory only. Prerequisite: instructor permission.
CRWR 599 – Internship in Publishing 1-6 credits
Provides an opportunity to work as an intern for a publishing house or press outside the college. Graded Satisfactory/Unsatisfactory only. Prerequisite: instructor permission.
CRWR 600 Summer Orientation 1 credit
The first two summer residencies, students will learn or update online tools mastery, attend faculty and student readings, and meet with non-residency mentors. The third summer residency, students will attend and participate in readings as well as critique readings by cohorts attending their first and second summers. Must be repeated three times for credit. Prerequisite: Admission to the program.
CRWR 601 Patterns and Paradigms for Mainstream Genre Writing 2 credits
Students explore material that to use as the basis for their own writing, selecting folktales and myths as archetypal basis for narrative pattern and character, translating those patterns into contemporary terms and connecting them to personal memory and experience. Work will be both performative and written, with student's drafts or outlines to refine during the year. Prerequisite: Admission to the program.
CRWR 602 Fiction Workshop and Translation 2 credits
Students workshop current projects and move into activities of skill building in areas that increase the capacity to work with flexibility in a challenging writing market. Areas include public reading/telling, translation of ideas from one form to another, and responding creatively to deadlines and assignments. Discussion includes alternative media for storymaking such as the internet, podiobooks, writing for radio or games, etc., as well as initial exploration of market considerations. Prerequisite: Admission to the program.
CRWR 603 Specific Fiction Forms 2 credits
Focus on student-chosen work within a specific commercial form such as science fiction, narrative nonfiction, the mystery, historical fiction, other mainstream fiction, etc. Workshopping within the group and a continuation of building generative writing practices as well as kinds of writing necessary to sell work. Practice in query letters, writing for grants and fellowships, writing synopses and pitches, and focus on initial post-publication promotion. Prerequisite: Admission to the program.
CRWR 606 What Do You Know About Fiction? 6 credits
Focus on helping students develop personal skills of observation and reflection to enable them to be aware of the material around them, ready for use in their writing; teaching students to grow areas of personal interest into writing material; and providing assignments that strengthen research skills in areas related to the student’s writing. Prerequisite: Admission to the program.
CRWR 607 The Truth and a Good Story: Research for the Fiction Writer 6 credits
Practice in research as it is applicable to works of commercial fiction in the genres of science fiction, historical romance, the mystery, and narrative nonfiction. Focus on specific areas of interest for individual research. Prerequisite: Admission to the program.
CRWR 611 Poetics: Focused Genre Studies 6 credits
Examination, analysis, and discussion of the poetics of authors from commercial genres such as Mystery, Science Fiction, Fantasy, etc., depending on expertise of mentor, and experimenting with working within those styles. Specific reading lists determined after initial discussion with the student regarding individual interests. Prerequisite: Admission to the program.
CRWR 612 Poetics: Narrative Nonfiction 6 credits
Examination, analysis, and discussion of the poetics of authors from the realm of narrative nonfiction, with a mind to seeing the possibilities of this genre for their own work. Authors could include Jon Katz, Will Storr, Barry Lopez, Terry Williams, and more. Specific reading lists determined after initial discussion with the student regarding individual interests. Prerequisite: Admission to the program.
CRWR 616 Fiction Writing for the World, from the Spirit 6 credits
Examination, analysis, and discussion of texts of world mythology and religion as a basis of archetypes for commercial writing, including an in depth spiritual autobiography, as it connects to individual writing interests. Prerequisite: Admission to the program.
CRWR 617 Fiction Writing in/on Air 6 credits
An exploration of the possibilities, challenges, and opportunities of writing for the ear through the world of told stories and podiobooks, including practice and practical application of these venues. Prerequisite: Admission to the program.
CRWR 621 Making Connections in Fiction 6 credits
A guided exploration of taking work into the world of making connections with editors, agents, and other writers through attending writing conventions, joining on-line groups, and more, preparing students to make the most of these channels for publication. Prerequisite: Admission to the program.
CRWR 631 Scansion Immersion 2 credits
An intensive review of prosody – how to make meter and rhythm work in the poetic line as well as how to discern that structure in the works of others. Prerequisite: Admission to the program.
CRWR 632 Public Performance 2 credits
Focus on the quintessence of public speaking, particularly as it applies to the performance of poetry, delivery of lectures, and participation in panels, understanding of the craft of using their voices and their physical presence to deliver creative, critical and pedagogical work orally to the public, and how to participate in conversations with the greatest possible skill and grace. Prerequisite: Admission to the program.
CRWR 633 Poetry and Music 2 credits
Co-taught by a poet and a musician, this course explores some of the complex relations between these two arts, from theoretical discussion to the practical aspects of writing everything from song lyrics to choral odes to opera libretti. Prerequisite: Admission to the program.
CRWR 636 Metrical Traditions & Versification I 6 credits
The first half of a full-year course that traces the development of the metrical tradition in English poetry from the beginning to the present. Students read poems in all the major forms (Anglo-Saxon Strong Stress Meter, the ballad, classical imitations, blank verse, the sonnet, iambic tetrameter, etc.) along with historical and theoretical commentary. Students also model such forms and scan their own work and that of others. Students will also trace the development of theories of versification and prosody in English. Students read a wide range of works, many of them by poets, in which they describe their craft and that of others, and they compare theories of and approaches to metrical poetry. In this course students are expected to produce a wide range of short essays on various traditions of versification, along with at least one substantial research paper. Prerequisite: Admission to the program.
CRWR 637 History of the English Language and Teaching Poetry 6 credits
A two-pronged study, first of the historical development and evolution of English, and second, of a wide range of techniques and materials available to teachers of poetry to communicate much of that history. Prerequisite: Admission to the program.
CRWR 641 Metrical Traditions & Versification II 6 credits
A second half of a full-year course that emphasizes advanced topics in metrical composition, e.g. stanza forms, longer forms and sequences, narrative forms, nonce forms (including free verse forms). Students not only practice the forms, but read and scan them along with delving into the history, criticism and theory. The course also selects several major traditions in verse theory and explores them in depth, e.g., linguistic theories of verse; structuralist theories; relations between verse and music; attempt to imitate classical forms in modern languages; etc. Prerequisite: Admission to the program.
CRWR 642 Poetry Book Reviewing and Translation 6 credits
A close analysis of the best reviews and criticism of the past and present, and practice writing such pieces themselves. Students work to understand translating poetry, studying and comparing translations, reading theories of translation and attempting translations. Prerequisite: Admission to the program, and proof of second-year, or its equivalent, of reading competency in a foreign language.
CRWR 646 Narrative Forms in Poetry 6 credits
Examination, analysis, study, and writing in the narrative genres and modes of poetry, from the ballad to the epic and novel in verse. Prerequisite: Admission to the program.
POET 647 The Satirical Tradition and Dramatic Verse 6 credits
Examination, analysis, discussion, and writing in all the modes of comic verse, including all the modes of satire (Menippean, Horatian, parodic), to verse-based comic approaches such as light verse, doggerel, children’s verse, and more. Additionally, an exploration of dramatic techniques of verse from ancient Greece through the Renaissance, and to modern writers such as T. S. Eliot and up to the present. Prerequisite: Admission to the program.
CRWR 651 Advanced Poetry Genres in Particular Forms 6 credits
Based on student and faculty mentor interest, a study of significant forms, group of forms, or poetic genres, with students reading a wide range of examples along with criticism and theory, and also composing their own work in these forms and genres. Topics include the following: The Sonnet and Sonnet Sequences, French and Italian Forms (ballade, villanelle, sestina, rondeau, terza rima, etc.), Classical Forms (Latin and Greek), The Ode, Blank Verse, Elegy and Pastoral , Non-European Forms (haiku, ghazal, tanka, Welsh forms, etc.), Free Verse Forms (Whitmanian versicles, syllabics, loose iambics, nonce forms, etc.). Prerequisite: Admission to the program.
CRWR 652 Rhyme 6 credits
An exploration of the theory and practice of rhyming, including all variations on rhyme, from alliteration (“head rhyme”) to perfect rhyme or rhyme riche, slant rhyme, etc., with student practice of rhyming forms and consideration of aesthetic, linguistic, and anthropological theories of rhyme. Prerequisite: Admission to the program.
CRWR 661 Film History and Analysis; the Visual Narrative 2 credits
Examination, analysis, and discussion of classic and contemporary films from a screenwriting, story, and character development perspective as well as analyses of theme and motif. Students engage in writing activities and exercises to develop a visual narrative style. All such writing goes towards creating material to fuel the mentoring process in upcoming semesters. The main theme here is: when possible show the story element; don’t have a character say it. Finally the prevailing three- and four-act screenplay structures will be explored. Prerequisite: Admission to the program.
CRWR 662 Story, Conflict, Character, and Genre in Screenwriting 2 credits
Sharing and workshopping of short screenplays and projects from the previous mentoring semesters. Exploration of story arc, elements of conflict, character development and arc, with an emphasis on film genre choices and styles. Includes proposals for upcoming mentoring semesters feature-length screenplays, plus an opportunity to practice pitches. Prerequisite: Admission to the program.
CRWR 663 Screenwriting Competition, Representation, the “Option” 2 credits
Mock or actual “pitch” sessions of the thesis screenplay. Screenwriting contests researched and entered. Writers Guild guidelines and application explored. Agents, options to produce, and independent film potential also explored. Prerequisite: Admission to the program.
CRWR 665 The Narrative in Picture Form 6 credits
Creation of fifteen-minute to half-hour short scripts with little or no dialogue, allowing student to develop an individual visual writing style for the large or small screen, where the images tell the story through character circumstance, setting and action not the spoken word. Feature-length script ideas may emerge here but will not be proposed or developed yet. Prerequisite: Admission to the program.
CRWR 667 Screenwriting Genre 6 credits
Student are challenged to write filmic stories in three distinct genre categories, forcing a growth and flexibility to create meaning across a spectrum of setting, time, and circumstance. Dialogue now permitted but still de-emphasized in favor of a more visual narrative. Prerequisite: Admission to the program.
CRWR 671 The First Feature-Length Screenplay of Less Than 90 pages 6 credits
A thorough review of the existing works in the style and genre of the proposed piece, and a thorough treatment written. Students generate character biographies and a complete story outline. The production is “pitched” to fellow students along with the mentor. A first draft written and critiqued. Prerequisite: Admission to the program.
CRWR 672 Television Drama and Situation Comedy 6 credits
As for the first feature screenplay, a thorough proposal for both is researched and written. The result will be a complete “pitch” portfolio including a “pilot” episode teleplay completed for both a television drama and a situation comedy. Prerequisite: Admission to the program.
CRWR 676 The Character Voice-Over 6 credits
The works of noir directors such as Billy Wilder and Martin Scorsese are researched and studied as well as Terrence Malick and others. Internal voice over, false voice over, and the pitfalls of poor voice over pursued in scriptwriting projects, with voice-over and character development emphasized. Prerequisite: Admission to the program.
CRWR 677 Screen Pacing and Tempo, Chronology, Flashback, Flash-Forward and Montage 6 credits
Emphasis on key techniques through exercises that may be parts of future student works. Classic and contemporary films examined for these components to trigger students’ writing. All of this writing activity will go toward forming the final screenplay project (the Master’s Thesis Screenplay). Prerequisite: Admission to the program.
CRWR 691 Screenwriting Master’s Thesis Project I 6 credits
A feature-length screenplay, intended for Hollywood or independent production, proposed including a thorough review of the existing works, treatment, character biographies, and generation of a complete story outline. A first draft of approximately 120 pages written and critiqued. Prerequisite: Admission to the program.
CRWR 692 Screenwriting Master’s Thesis Project II 6 credits
Completion of the screenplay. Several drafts written and developed with the mentor. Following industry preferences, the screenplay should target approximately 100 pages. Prerequisite: Admission to the program.
CRWR 694 Capstone 3 credits
Working with a faculty mentor and responding to mentor readings and workshop suggestions in order to complete one long work of fiction or narrative nonfiction in the form of prose or script, as well as beginning the process of seeking publication or production of the finished work; or preparation to submit 60-80 pages or original poetry, including either one review of a poetry book and one historical essay or else one review and one work of translation, totaling 10-15 pages, and an analytical project; or final feature-length screenplay (Master's Thesis Project) due, and a public reading of an excerpt performed or else a self-produced sequence from, or trailer for, the screenplay. Prerequisite: Admission to the program.
CRWR 697 Special Topics 6 credits
Working with a faculty mentor to research, develop, and structure own particular areas of interest into a written work in preparation for the final project. Prerequisite: Admission to the program.